© Jonathan Brockbank, Department of English, University of York
From Roman time to the seventeenth century York was an important military and administration centre, the unofficial capitol of the north. These virtual tours take you through some of the expected and unexpected highlights of the history of York and their intersection with their contemporary culture. The tours are divided into sections that correspond to areas of study in the Department of English and Related Literature, York.
In pre-Roman times York seems to have been at the junction between the tribe the Romans called the ‘Parisi’, who occupied the Wolds, and a loose confederation called the ‘Brigantes’, who spread across north England each side of the Pennines up to Scotland. (The classic study of the Peoples of Roman Britain was carried out by Herman Ramm in a series of monographs in the 1970s.)
Ripley Church exterior north wall bottom of arch over window. There was originally a head at the bottom of each arch; some are badly eroded.
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Celtic-style head, private house, Haworth, West Yorkshire. There is no means of dating such heads. It might be the same age as the house or thousands of years older, rediscovered and redeployed. The head is high up on the left of the building. It might have exchanged glances with the Brontes… |
Celtic-style head, the Sun Inn Haworth; round the corner from the previous building. |
Thousands of years before the before the Iron Age/Celtic ‘head cult’, sometime between 2,000-1,500 year BC (Neolithic to Bronze Age) what modern archaeologists call ‘cup and ring’ markings were carved into rocks on the South Pennines and North York Moors.
Cup and Ring marking from near Goathland on the North York Moors, now in the Museum Gardens, close to the Yorkshire Museum. For many years this was lost because it had been placed face down… |
No one know the significance of the markings. My theory is that the cup carvings imitate the ‘cups’ worn in the rocks of Yorkshire by wind and dust. Such marks, formed without human intervention, may have been regarded as the work of the gods that could be imitated and elaborated by humans. Sometimes cups alone are carved on rocks, elsewhere complex patterns, including, spirals and ‘ladders’ were cut (see the ‘Panorama Stone’ brought down from Ilkley Moor to stand near St Margaret’s Church). By the fifth century when the Saxons were farming the moorlands of Yorkshire, the meaning of these stones had been forgotten and the Saxons may have regarded these as supernatural manifestations of a haunted land, whose original inhabitants they called ‘the strangers’ (Welsh).
The Romans constructed a vast military camp at York to police the division between the Brigantes from the Parisi. The stone walls surrounding the legion fortress were eventually elaborated in the early 4th century into a ceremonial frontage covering the legionary fort’s south side, studded with multangular towers. One was reused in the Middle Ages and was known as ‘Elrondyng’ in 1315 (City of York: Volume II The Defences, Royal Commission on Historical Monuments, 1972, p19b). It stands in the Museum Gardens:
The Multiangular Tower: the smaller stones in the lower course are Roman, the larger ones above them Mediaeval. |
The Saxon poem ‘The Ruin’ shows how impressed the Saxons were by the technology of the Romans, a technology that they could not initially match:
Snapped rooftrees, towers fallen,
The work of giants, the stonesmiths
Mouldereth.
[Trns Michael Alexander, The Earliest English Poems, Harmondsworth, Penguin, 1966]
Roman rule was not accepted mildly. Scotland and Ireland remained unconquered and Hadrian’s Wall was built to establish and supervise the terminus of the Roman empire. In 367 a so-called ‘Barbarian conspiracy’ saw the Picts attack Roman Britain from Scotland, the Scots from Ireland and the Saxons from Saxony. Widespread slave-revolts followed. By the time Count Theodosius recaptured the province in 369 the Romans were content to repair the fortress wall with a crude tower, now misleadingly known as ‘the Anglian Tower’.
Emergency Patch: behind the Multangular tower. Note the crudeness of the stonework compared to the neat facings of the Multangular Tower. |
Oddly enough in the years following the withdrawal of official Roman protection in AD410, the inhabitants of Britain rewrote their history. In this version the Roman occupation becomes several incursions in which the Romans are frequently defeated by the natives. Geoffrey of Monmouth’s 12th century History of the King’s of Britain, canonised this version of ‘history’ that he worked up from the traditions recorded by the 6th century monk Gildas and possibly the Welsh legend of ‘The Dream of Macsen’.
The first Saxons were invited into Roman Britain to fight as mercenaries. As Roman rule collapsed, Saxon settlers moved into the power vacuum and expanded their settlements and their dominence. The chroniclers of Britain, such as Gildas and the materials assembles under the name ‘Nennius’, record the process as an invasion that was resisted by Post-Roman heroes such as Ambrosius and Arthur. These traditions are buttressed by the heroic poetry of Taliesin and Aneirin, poets of the sixth and seventh centuries. Against this tradition, modern archaeologist Francis Pryor argues that the agricultural evidence is of a slow and peaceful co-existence (Britain AD, London, Harper Collins, 2004).
When the Saxons took over Roman York they expanded the fortifications of Roman York to protect what had been the Roman civilian settlement. These defences consisted on an earth bank, in some cases heaped over what was left of the Roman wall, topped with a wooden palisade. These defences were improved by the Vikings when they ruled York. The chronology is complex but Viking raids began about 787. By 860 raids were succeeded by determined invasions. Alfred the Great fought back and a peace was established that created ‘the Danelaw’ in 878. This was a division of England into an Eastern half that was ruled by the Danes and a Western half ruled by the Saxons, who were calling themselves ‘the English’.
In 910 two ‘kings’ of York were killed and Vikings based in Dublin invaded the North. Between 919 and 954 York was the capital of a sea empire that incorporated the Shetlands and Ireland, ruled by men with nicknames like ‘Sigtryggr the Squinty’ and ‘Eric Bloodaxe’. Between 1016 and 1042 Danish kings ruled all England, before being replaced by Edward (the Confessor) and Harold II, the Harold killed at Hastings. For more details and comprehensive illustrations of the spread of Viking culture see Cultural Atlas of the Viking World, ed James Graham-Campbell, London, BCA, 1994.
Saxon/Viking York: The additional area fortified is the loop stretching to the South of the river. There may have been defences on the east that are lost under the later walls. |
The scale of the undertaking may be seen in a photograph of the bank at the south west corner (Queen Street).
Dark Age Bank: 13th century wall. The lower part of the bank dates from 867, the stone wall from 1250. |
Such defences absorb many man hours and, though part of the motivation is prestige, this investment of time and money contradicts Pryor’s optimism. The defences reveal a landscape of fear within which the inhabitants sought to protect themselves from Vikings, Saxons, Scots or Civil Wars.
Micklegate (Viking for ‘The Great Street’) Bar may have looked like this in Viking times:
To be fairer to Pryor, this period was also one of prosperity. Supported by the rich agricultural lands outside, Jorvik could become the centre of specialised craftsmen and prestigious buildings.
Viking Plots, Walmgate: shops in Walmgate still occupy land divisions established in the Viking period. Behind the brick frontages of many of these houses are medieval half-timber buildings. |
From Danish to mediaeval times York was one of the most important cities of Europe, a city of craftsmen and international traders. Egil’s Saga, from Viking days, attributes two storey houses to York as well as a royal palace and hall. Much of the fine work the craftsmen produced would be for the aristocratic elite. Fine helmets and weapons would be especially valued.
Saxon Parade or Ceremonial helmet. C700-50. In the Yorkshire Museum. Like Beowulf it combines pagan imagery (a dragon nose-guard) with a Christian text. Inside is a Latin prayer: ‘In the name of our Lord Jesus Christ, the Holy Spirit and God; and to all we say amen Oshere’. (Oshere was the owner). |
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This carving of a Viking warrior poses him like an Action Man with his accessories beside him. Good mail, swords and spears would be expensive. Not only did such weapons make the Vikings fearsome opponents but the expense of maintaining such a lavishly equipped elite stimulated further raids and conquests. |
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Viking art, like Saxon, encompassed stone-carving as well as metalworking, with a similar delight in turning birds and beasts into decorative, often highly stylised modes of decoration. |
Saxon tower, St Andrew’s
By the end of the Saxon period the Saxons were capable of building stone buildings. These skills were deployed on church, rather than military buildings. The Normans demolished most Saxon churches, including York Minster, and built new ones, as if to show the new masters controlled Heaven as well as earth.
The sword on Eric Bloodaxe’s York-forged coin reveals firstly, Vikings, as well as the rest of Europe claimed to be inheritors of the Roman empire; ‘rex’ is the Latin for ‘king’, secondly, the sword reminds subjects of the Vikings’ ferocious military reputation. At Stillingfleet, eight miles downstream as the Ouse flows, Viking ships were remembered in the ironwork on the church door. Sagas often refer to Viking war vessels as ‘Dragon Ships’ because of their frequent use of dragon figurheads, as in the modern replica above. |
According to saga tradition, the attacks that routed the Saxons were led by ‘berserkers’, warriors who would run mad with battle fury. |
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The Battle of Fulford Gate: Sept 20th 1066 |
The Vikings settled down in Stamford Bridge, five miles east of York, leisurely negotiating the surrender of the city, when they were surprised by Harold of England, who had marched his army up from London in less than a week. The Viking army was spread out on each side of the River Derwent and according to the Heimskringla, the saga of Harold Hardrada, the first the men on the north bank knew about Harold’s advance was the glitter of steel in a cloud of dust, like sun on ice. Harold’s men destroyed the lightly armed northern group, before crossing the river and fighting through two more Viking lines. According to the saga before the final battle Hardrada was offered ‘six feet of English earth or more if he’s taller.’ Both Hardrada and Tostig were killed in the fight. (Patterson, 127-34). Perhaps rashly, Harold hardly paused for rest and reinforcements before marching south to deal with the Norman invasion. The death of Harold and his bodyguard at the battle of Hastings deprived Saxon England of its leadership, allowing William a complete triumph.
The Battle of Stamford Bridge: Sept 25 1066. |
York’s Second Norman Castle (Bailey Hill) The picture shows the castle mound (motte) of York’s second castle, lying under a dome of trees. It would have had a timber tower surrounded by a wooden wall when William built it. |
Clifford’s Tower: the motte is clearly visible in this picture. This is the keep (the strong tower) of York Castle. In 1069 there would have been a wooden tower on the summit. Clifford’s Tower itself occupies the motte, the courtyard (bailey) is now filled by the 18th Assize Court, still in operation, and two prisons, now museums. |
The porch of St Deny’s Church, Dennis Street York. The imagery of the Norman arch seems derived from pagan rather than Christian imagery; the beakheads on the second arch from the top are similar to creatures found on the Iron Age Gundestrop Cauldron. See plate ‘C’ |
Siward’s Howe. Under these trees above the University library, next to the old water tower, is a choice to distinguish Realists from Romantics… |
To Realists this is the base of a windmill.
To Romantics this is the burial place of Earl Siward’s body. His heart was given a Christian burial in St Olave’s Marygate, whilst his body was laid beneath a Beowulf-like mound. According to what I was told when I attended Heslington Primary School, the old water tower is haunted by the ghost of a man who appears on one of the balconies inside. Is this Siward exploring the intrusion on his burial place?
Now it is possible to be both Realist and Romantic! According to the Dept. of Archaeology at York, Siward's Howe was first a Bronze Age barrow and afterwards built up to become a windmill mound.
The historical Earl Siward was one of the Saxon lords who marched north to fight and overthrow Macbeth.
Ilkley: Easily accessible by train from Leeds. Saxon Crosses inside the parish church; cup and ring markings near St Margaret’s church and scattered across Rombald’s Moor to the south of the town, though you’ll need a specialist map to find most of them.
Leeds: Easily accessible by bus or train from York. Saxon Crosses in the parish church.
(All these Saxon crosses mix pagan and Christina iconography and stories, much as Beowulf does.)
Ripley: Accessible by bike or from the Harrogate-Ripon bus (Harrogate is easily accessible by rail). The village not only has the church with ‘Celtic’ heads, and bullet scars on the east wall, where Cromwellean executions were carried out, but also a castle with secret rooms for concealing Catholic priests and one of the best ice-cream shops in Yorkshire.
York: In addition to the sites shown above, The Yorkshire Museum has many important artefacts from the period. For those who want a recreation of the sights and smells of Viking York, there is the Jorvik Centre. Some of the voices speaking Norse in the background are staff and students who studied Anglo Saxon and Norse at York University.